Sunday, October 31, 2010

'Rosemary's Baby' Steps

Happy Halloween, y'all. I've been trying like hell to get myself a copy of Roman Polanski's satanic classic, to no avail (yes, I know Amazon.com is always an option, but I'm determined to find an in-store copy -- don't I remember seeing them just last year in every Halloween bargain bin?). Anyhoo, in place of my purchase, I'm linking to a handful of articles on "Rosemary's Baby," the movie I wish I were watching today.


* Roger Ebert's 1968 review of the film can be found HERE.
* The Guardian calls it the No. 2 horror film of all time HERE.
* Terrifying news that Michael Bay is remaking the movie (news which, THANK GOD, was later denied) can be read HERE.
* The 2007 New York Times obituary for "Rosemary's Baby" author Ira Levin can be found HERE.
* Love this -- InventorSpot.com names Rosemary's little demon among the Top Ten Baby Halloween Costumes HERE.
* Nick Carr at The Huffington Post looks at the Dakota, then and now (well, 2009), HERE.

'Hereafter' Review

Sorry, Clint, but your latest really killed my evening. Don't I remember feeling this sort of disappointment before? Ah, yes -- last year, after "Invictus."


Read my review of "Hereafter," Eastwood's new misfire, now online at SouthPhillyReview.com. CLICK HERE.

Wednesday, October 27, 2010

'Rabbit Hole' Poster and Trailer

I'm a big John Cameron Mitchell fan, and I'm really hoping this based-on-a-play grief drama marks the renaissance of Ms. Nicole Kidman. Behold, something to still be excited about as 2010 winds down:


Thursday, October 21, 2010

'Conviction' Review

Great performances and on-point casting go a long way in this Betty Anne Waters biopic, but not long enough. It's all way too "Law & Order" for the big screen.


Read my full review of "Conviction," now online at SouthPhillyReview.com. CLICK HERE.

Thursday, October 14, 2010

'Red' Review

Helen Mirren fan, are you? Then you may want to see her wield weapons like a pro in "Red," an adaptation of a comic book few people have ever heard of. Otherwise, this perpetually depreciating action comedy isn't much worth your dough.


My full review of "Red" is now online at SouthPhillyReview.com. CLICK HERE.

'Never Let Me Go' Review

I finally caught up with the Mark Romanek drama "Never Let Me Go" last night, after sadly missing a screening a few weeks back. I whipped up a quick review this morning, facing some fears and offering some criticisms, of course.


The review is now up on the soon-to-be-revamped Good Life Blog. CLICK HERE

Wednesday, October 13, 2010

19th Philadelphia Film Festival preview

This year's Philadelphia Film Festival boats the finest lineup I've seen in close to six years of covering and/or being involved with film fests in Philly. The roster includes "Black Swan," 127 Hours," "Uncle Boonmee" and the lovely and heart-wrenching "Blue Valentine," which had the great pleasure of seeing on Monday (it's the love story of the year). Below is a snippet of the preview article before the jump.


FROM BUCKS LOCAL NEWS: I've never been so excited over a local film festival as I was at the press party for the 19th Philadelphia Film Festival, where reps from hosting organization The Philadelphia Film Society announced a stunning roster of hotly anticipated movies. Based on the hype out of previous 2010 fests and what I've seen myself, I've culled a list of 10 can't-miss picks from the crop of over 100 domestic, foreign and documentary features. You'll see language like “best” and “finest” used generously in the passages ahead, and it's no hyperbole, folks. It speaks to the quality of the programming of this year's event, unfolding from Oct. 14 through 24 at six venues throughout the city.

Thursday, October 7, 2010

Difference Makers in the Movies

My latest assignment for South Philly Review is an article pointing out individuals in films who make a difference, a topic selected especially for the paper's "Difference Makers" issue. With this guideline, my choices are narrowed down to, oh, every other film that's released.

I tried to keep my selections within the brackets of the last 20 years, and also tried to highlight a few less obvious change-makers, whose good deeds don't necessarily make headlines or follow formulas.


Check out which movies made the cut over at SouthPhillyReview.com. CLICK HERE. And, tell me, which titles would you add?

'It's Kind of a Funny Story' Review

Actually, it kind of sucks.


Read my full review of "It's Kind of a Funny Story," now online at SouthPhillyReview.com. CLICK HERE.

'The Tempest' Trailer

Well, it certainly looks tempestuous...

Thursday, September 30, 2010

'The Social Network' Review

I haven't stopped thinking about "The Social Network" since I saw it last Thursday. This is going to sound foolish and hyperbolic no matter which way I say it, but unless you're Armond White, this staggeringly sharp, zeitgeist-grabbing master stroke is going to be among your favorite movies of the year.


My rave review of "The Social Network" is now online at SouthPhillyReview.com. CLICK HERE. And expect more commentary to come on this most inspiring of films.

Thursday, September 23, 2010

'Catfish' Review

"Catfish" thinks it's ultra-important, and it's highly interesting, to be sure, but methinks this guess-if-it's-real DIY doc is going to slip swiftly from memory as that other, hugely superior Facebook film begins to occupy the thoughts and conversations of critics and audiences alike.


But that's not to say "Catfish" isn't worth seeing and discussing, too. Read my review of the film, now online at SouthPhillyReview.com. CLICK HERE.

Tuesday, September 21, 2010

Talk of 'The Town'

I feel compelled to write a bit more about "The Town," which I in no way expected to walk out of with such smiley satisfaction. "Did you like it?" a fellow critic asked me, to which I usually offer at least some degree of half-heartedness. Here, it was full-on enthusiasm. My admiration for this film spreads well beyond the film itself and into the reality of what it means for its maker. I will admit that I was perhaps less critical of the craft because I was so suprised at how good it was for who it was made by, and I may well have picked more nits if it were the work of a seasoned pro. But how I feel about what a triumph this is for Ben Affleck directedly affected my experience, and I can safely say few theatrical experiences this year have been as enjoyable.

That's something I don't think should be discounted, as so many films are, at minimum, dusted with disappoint, choking up the entertainment value. There's never a point where "The Town" disappoints, never a point where it bores. The pacing is one crucial element I didn't heavily touch upon in my review, but it deserves acknowledgement. And while my mention of a lack of a compromise may seem contradictory when discussing a film with so conventional a narrative, there's no denying the uncompromising nature of the movie's tone and style, which are both of a grit and verve that so many other Hollywood flicks would have simply glossed over. That final showdown with Jeremy Renner? Gripping and ugly -- it brings you back to films with balls, which in this genre are scarce despite copious promo material advertising the contrary.

I know this all sounds defensive, and perhaps I'm defending myself against myself. So much of me felt that awarding 5 stars to a movie like "The Town" was simply preposterous, especially when the few other films who've drawn that honor from me this year have had titles like "Winter's Bone" and "I Am Love." "The Town" -- a generic crime thriller born of Hollywood that from the outset looks terrible, is made by a seemingly slumping superstar, and really has nothing of luster apart from its intriguing cast. It's not really my cup of anything. Or so I thought. Turns out it's a shocking, galvanizing reward and one of my favorite movie stories of the year (that is, the story outside of the movie). Calm down, self: this bitch is impressive, and it deserves those bloody stars in its own right.

Thursday, September 16, 2010

'Resident Evil: Afterlife' Review

In the words of Agent Smith, "Why, Mr. Anderson? Why, why, why?"


Catch my review of the awfully unnecessary fourth installment in the sadly undead "Resident Evil" franchise over at SouthPhillyReview.com. CLICK HERE.

Thursday, September 9, 2010

'The American' Review

So, given the box office totals, the new Clooney "thriller" was a successful bait-and-switch, drawing crowds of mainstream moviegoers into a film as slow as honey. Many of those folks were no doubt ready to claw their eyes out; I, of course, thought the whole thing was pretty superb.


My full review of "The American" (which, apologies, reiterates some of that bait-and-switch chatter) is now online at SouthPhllyReview.com. CLICK HERE. Keep poking around for a brief word on "Casino Jack and the United States of Money," a film that's as overstuffed as "The American" is super slim.