For Fandor's Keyframe blog, I was happy to write a piece on none other than Meryl Streep, and two films that give you a rare glimpse into her actorly process: "The Iron Lady," coming soon to theaters, and "Theater of War," a 2008 doc about Meryl's role in the NYC production of "Mother Courage."
To read the article, now online at Fandor's Keyframe, CLICK HERE.
Showing posts with label keyframe. Show all posts
Showing posts with label keyframe. Show all posts
Tuesday, December 27, 2011
Thursday, September 29, 2011
Link: Evaluating the Visuals of 'Since Otar Left'
My second piece for Keyframe, the official blog of Fandor.com, is an assessment of the gorgeous and meaningful compositions in Julie Bertuccelli's "Since Otar Left," a 10-year-old Cannes fave that's among the Zeitgeist Films titles newly available on the Fandor site.
Packed with stills, the piece is now available for reading and viewing. CLICK HERE.
Packed with stills, the piece is now available for reading and viewing. CLICK HERE.
Labels:
fandor,
Features,
julie bertuccelli,
keyframe,
links,
since otar left
Friday, August 26, 2011
Tilda Swinton: Cinema's Cyborg
My first piece for Keyframe, the official blog of Fandor.com, is an essay on Tilda Swinton and her cyborgian greatness, best exhibited in Lynn Hershman Leeson's "Teknolust."
CLICK HERE for the article!
Labels:
actresses,
Essays,
fandor,
Features,
keyframe,
lynn hershman leeson,
teknolust,
tilda swinton
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